Meshes of the Afternoon and Cocteaus film share the same imagery in many instances; however, Deren repeatedly claimed to have never seen the film, and denied any influence by Cocteau. We think about the associative properties of the objects and ideas that circulate in the film. Maya Deren's Meshes of the Afternoon is an experimental short heavily influenced by the cultural climate. As she pulls herself up the last stair, the top of the stairs leads her to a window in her bedroom, which breaks the expectations of the viewer. This force can be refers to the pressure of the time she was living in. This reaction has to do with a students fear that the film is difficult or willfully (and confusingly) mysterious and that they just dont and wont get itthat it has a single, clear meaning that is hidden from them and they risk sounding stupid if they talk about it. Deren made extensive storyboards for all of her films, including camera movements and camera effects. Freudian Staircase History of Maya Deren -Russian-American History of Meshes of The Afternoon -Born in Kiev in 1917 to Solomon and Marie 5 Is Meshes of the Afternoon a trance film? 6. 1. seriousfeather.com. The narrative of this short (only 14 minutes) experimental film is circular and repeats several motifs, including a flower on a long driveway, a key falling, a door unlocked, a knife in a loaf of bread, a mysterious figure with a mirror for a face, a phone off the hook and an ocean. But unlike people with psychotic conditions like schizophrenia, they are not going insane at all. In order to write analysis about Meshes of the Afternoon, I had to watch the film few times, search and read critics and articles and have brief background information about the movie and Deren too. However, you may visit "Cookie Settings" to provide a controlled consent. It does not record an event which could be witnessed by other persons. She later participated in Vodou ceremonies and documented the rituals. She then watches a previous version of herself through the window, following the flower-holding, black cloaked figure outside. A recognizable trait of Deren's work is her use of the subjective and objective camera. The film's narrative is circular and repeats several motifs, including a flower on a long driveway, a key falling, a door unlocked, a knife in a loaf of bread, a mysterious Grim Reaperlike cloaked figure with a mirror for a face, a phone off the hook and an ocean. What does Maya Deren mean by meshes of the afternoon? There is no longer a sense of what space she is in, nor for how long is was there. Meshes of the Afternoon is a 1943 American short experimental film directed by and starring wife-and-husband team Maya Deren and Alexandr Hackenschmied. It was shot without dialogue or sound (a soundtrack by composer Teiji Ito was added later, in 1959) and in black and white. Woman caught in a loop of a dream key turns to knife she sees a reaper she tries to kill her sleeping body man shows up and she tries to kill him Each of these objects have a hidden symbolic meaning to Maya apparently. We might notice that it is not a real arm (it helps to look at the clip or a still of it for anyone who missed it). 6, issue 2, pp. While Meshes of the Afternoon affords a robust introduction to this set of key issues for cinema studies more generally, what really works on the handful of converts to experimental cinema that it inspires is the film itself. Rather, it reproduces the way in which the subconscious of an individual will develop, interpret and elaborate an apparently simple and casual incident into a critical emotional experience. Maya Deren on Meshes of the Afternoon, from DVD release Maya Deren: Experimental Films 194358. "[8], Writing about Meshes of the Afternoon, Lewis Jacobs credits Maya Deren with being the first film maker since the end of World War II to "inject a fresh note into experimental film production". Meshes of the Afternoon A woman ( Maya Deren) sees someone on the street as she is walking back to her home. Deren stressed the poetic, dream-like quality of film, its ability through framing and editing to displace a normal sense of time and place and to express the tension between interiority and exteriority. She elaborates that this ability defines film as its own art form, different from any other medium. Meshes of the Afternoon was selected for preservation on the National Film Registry by the Library of Congress in 1990 and, in 2015, the BBC named it the 40th greatest American movie ever made. Or I contextualize the film and its mid-war context by considering what, in terms of its historical moment, it is not. The book focuses on two particular historical factors that affected the reception of Meshes: the development of a strong postwar avant-garde cinema in the United States and the rise of feminism in media scholarship. A woman sees someone on the street, while walking back to her home. Depersonalisation, in fact, resembles a sort of altered awareness or awakening that in some cultures is thought to be a level of spiritual growth.. Abstract. Meshes of the afternoon powerpoint Oct. 04, 2017 0 likes 500 views Download Now Download to read offline Presentations & Public Speaking meshes of the afternoon emmamattock Follow Advertisement Recommended Michelangelo Antonioni - Blow Up Presentation for Fashion Film - GC CUNY 2014 Christopher Vitale 1.3k views 13 slides Genre: Drama What were the main arguments of those who opposed the RH bill? The Second World War allowed women to help serve their country through jobs usually reserved for men to aid America's military. Shot in black and white, Meshes of the Afternoon uses innovative techniques to evoke womens conflicting impulses of fear of men and erotic desire. At her room, she falls sleeps on a chair, and dreams about her trying to chase a mysterious figure. With a new paradigm for underground cinema, this film launched Derens career as a filmmaker with strong interests in myth and ethnography. The ideas and execution of the film are mostly attributable to Deren. [11] Deren reportedly detested this comparison because of the surrealist movement's interest in the entertainment value of its subject more than its meaning. Meshes of the Afternoon (1943), filmed by Maya Deren and her then husband Alexader Hammid in their bungalow above Sunset Boulevard for a mere $274.90, is the mo In the end, the man walks into the house and sees a broken mirror dropped onto wet ground. Advertisement cookies are used to provide visitors with relevant ads and marketing campaigns. [11], A cloaked, mirror-faced figure appears in John Coney's 1974 Sun Ra vehicle Space Is the Place, Yeasayer's video for "Ambling Alp", and Janelle Mone's video for "Tightrope".[12]. The multiple duplications of Maya in the dream present Mayas different layers of personality or ideologies that she was experiencing in her life. The mirror stands for introspection, and the death by mirror cut might allegorically refer to the disintegration of the identity construct, linked to liberation. She then heads towards her own sleeping body whilst holding a knife, proceeding to try to stab herself before she awakens and sees a man holding a flower in front of her. Narrator: Meshes of the Afternoon by Maya Deren and Alexander Hammid is arguably the most important American avant-garde film. Deren constantly asks the viewer to pay attention and remember certain things by repeating the same actions over and over with only very subtle changes. Meshes of the Afternoon (Maya Deren, 1943) 6 years ago More. It runs for only 14 minutes. The film is a representation of the subjective point of view of the Cocteaus mind in which he grapples with the concepts of inner and outer reality. We make a list together of how these similar items relate to each other. The main character, who happens to be the same woman who directs the film, seems to lose track of what is a part of her dream and what is actually happening. Through creative editing, distinct camera angles, and slow motion, the surrealist film depicts a world with an alternate reality. You will also not be surprised to find out that t. I want both to give her credit for this as a workable access point into the film and to note that a lot of my teaching is indebted to the fabulous teachers Ive encountered in my own education. Meshes of the Afternoon is not only highly formative to many filmmakers (namely surrealists like Lynch or feminist directors), but it is a haunting and beautiful work that is an example of formal perfection and artistic brevity (regardless of whether it emotionally resonates with you). Other uncategorized cookies are those that are being analyzed and have not been classified into a category as yet. For instance, shots in Meshes of the Afternoon cut from Deren looking at an object, to Deren's point of view, looking at herself perform the same actions that she has been making throughout the film. To further delve into Derens psyche and establish other links, lets remember that she was fascinated by the rituals of Haitian Vodou and religious possession. Your email address will not be published. Because this emphasis on association is one of the films strategies for the kinds of meanings it effects, we spend some time coming up with these mini-networks, drawing them as a cluster diagram with a central idea in the center so that we can start to group the ideas without limiting them to one trajectory. Third, this short set of facts about the film offers an insight into the unusual feminist dynamics of the film. The films budget is estimated to be about $300. [4], The original print had no score. Though the movies earlier editions were completely silent, by in 1959 music was added to the movie that was obviously influenced by the classical Japanese music. The multiplying of the character is connected to dissociation, alienation, emotional fragmentation, and potentially reintegration towards the end. But as I said, this wheel has many sturdy spokes and travels far. It directly inspired early works by Kenneth Anger, Stan Brakhage . comment. as a possible influence. Since surrealism was based on theories of dreams and psychology, nothing is assured completely. In the first case, Deren's contributions to New York's The woman follows the hooded figure to her bedroom, where she sees the figure hide the knife under a pillow. The dreamlike (or nightmarish) atmosphere of Meshes has influenced many subsequent films, notably David Lynch's Lost Highway (1997). A girl comes home one afternoon and falls asleep. A non-narrative work, it has been recognised as a key demonstration of the "trance film," in which a protagonist seems in a dreamlike state, and where the camera expresses his or her personal focus. The symbolism in the film also contributes to its dreamlike quality. The film conjures up the uncanniness of dissociation or, more specifically, depersonalisation; self-obsession, a womans dual inner/outer life and subjective experience of the world, all congruous with Derens interest in self-transformation, interior states, surpassing the confines of personality and self-construct, as well as the self-transcending rituals of Haitian Vodou. Towards the end of the film the man walks into the house and sees a broken mirror being dropped onto wet ground. The question, to put it plainly, is something like: whats the point of a film like this?. Symbolic objects, such as a key and a knife, recur throughout the film; events are open-ended and interrupted. Is Meshes of the Afternoon a trance film? bananas) must be significantly higher than Derens whole film. Meshes of the Afternoon resembles Jean Cocteau's 1930 film Blood of a Poet in its representation of a subjective point of view. It takes a few different forms, but generally involves skepticism. What unfolds on screen is the process through which a person gains awareness of and confronts unconscious material driving their life in order to unite and re-channel the opposing energies of the ego and the unconscious into a third state of being, of wholeness. Meshes of the Afternoon (10) 7.9 14min 1943 NR A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. The woman follows the hooded figure to her bedroom, where he hides a knife under a pillow. After catching her distorted reflection in the polished knife, the camera follows her fluid bending movements as she is crawling on the staircase, whilst being strangely blown away by the wind in various directions within a claustrophobic space, levitating, trying to hang onto things, and eventually hanging in a crucified position against the wall. Symbols like the key, the knife all are interchangeable with one and other. The description matches the insight and feeling revealed by Deren regarding the state of depersonalisation in ritual: No longer grounded by familiar sensations or surroundings, they feel as if theyre losing their grip on reality. O filme Meshes of the Afternoon(1943), traduzido para Tramas da Tarde,foi gravado em pelcula 16mm e em preto e branco devido s condies de produo da poca e tem 14 minutos de durao. We see multiple women, that are all the same woman but in different ways. The film was made for about $275 in the first months of Deren's marriage to filmmaker Alexander Hammid. It does not record an event which could be witnessed by other persons. It was originally silent, but Deren added a soundtrack to it in 1959. In Essential Deren, 192. The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". Then she takes a carefree nap while waiting for her man to gets hope. [13], Jim Emerson, the editor of RogerEbert.com, has also noted the influence of Meshes within David Lynch's film Inland Empire (2006).[14]. Deren explained that she wanted "to put on film the feeling which a . analysis. In a dream she sees herself returning home, tortured by loneliness and frustration and impulsively committing suicide. [9], Further in his discussion of experimental cinema in postwar America, Jacobs says the film "attempted to show the way in which an apparently simple and casual occurrence develops subconsciously into a critical and emotional experience. In the first sequence, the audience almost entirely sees the protagonist through shadows or meshes of the afternoon thus the title is symbolic in itself. Meshes's popularity among filmmakers and scholars. Meshes of the Afternoon (USA, Maya Deren, 1943). This cookie is set by GDPR Cookie Consent plugin. Industrial metal pioneers Godflesh used a still from the film for the cover of their 1994 EP Merciless, as did alternative rock band Primal Scream for their 1986 single "Crystal Crescent". Roman Road is very pleased to present Meshes of the Afternoon, a group exhibition guest curated by Attilia Fattori Franchini. Unable to catch up, she enters the house, and the subjective camera movement switches to this version of her, whilst she catches a glimpse of the funereally dark, cloaked apparition walking up the stairs. In the first moments of the film, the woman (Deren) enters a house and begins to explore. Maya Deren Collection, Boston University Mugar Library Special Collections. "Meshes of the Afternoon" by Maya Deren "Meshes of the Afternoon" by Maya Deren is one of the most intriguing She sees multiple instances of herself, bits of her dream she has experienced. Assignment 2 Film Form Analysis. These cookies track visitors across websites and collect information to provide customized ads. Meshes of the Afternoon/Running time. There are few objects in this film that have iconic symbolization and Maya tries to have the viewers attention to them by having them repeatedly in the scenes; The key, the knife, the phone, the record player and the flower. Second, these few facts underline the notion of cinema both as a singular creative act by a visionary artist and, simultaneously, as a collaborative process. The artistic collaboration between Deren and Hammid finds its distorted reflection in the vision of the film's tormented female protagonist. In 2015 the BBC named the film the 40th greatest American movie ever made. Immediately after making it, Deren drafted an essay entitled Cinema as an Art Form, in which she addressed what she had been trying to achieve in this, her first film, and in her film practice more generally. Some of her personas are passively observing her more powerful, key-holding, knife-wielding persona. "Meshes of the Afternoon" was produced, performed and directed by the husband and wife, Alexander Hammid and Maya Deren in 1943. The phantom steps of the hooded dream character are traced and re-traced by the man and the woman in what appears to be reality but turns out to be a dream within a dream. The cookies is used to store the user consent for the cookies in the category "Necessary". The woman tries to kill her sleeping body with a knife but is awakened by a man. She tries to follow the shadow and she misses it again, then she gets home to see that it is not as she saw before, organized. What is the meaning of Meshes of the afternoon? She notices that the man's posture is similar to that of the hooded figure when it hid the knife under the pillow. Change), You are commenting using your Facebook account. Soundtrack by Alberto 'Hugo' Polese and Alessandro Fedrigo. The goal of Maya Derens and husband Alexander Hammid was to create a personal avant-garde film, like the French surrealist films of Salvador Dal and Luis Buuels Un Chien Andalou (1929) and LAge dOr (1930). [11], In the fall of 1945, Deren wrote to Victor Animatograph Corp. that she had now seen Cocteau's film multiple times and expressed interest in publishing a commentary on it. Analytical cookies are used to understand how visitors interact with the website. A woman (Maya Deren) sees someone on the street as she is walking back to her home. Derens story of Meshes of the Afternoon continues in its inspiration to the deduction of psychoanalysis when the imagery refers to the butcher knife which is at first within the loaf of bread and then retrieved to lie upon the kitchen table; when Derens character removes it within the looping sequence. Where ought one to begin in a film where beginnings and ends are indefinite? The multiple incarnations of the woman evoke an internal schizoid narrative breathing life into alternative versions of herself- challenging her self-construct. [6] Deren, A Letter (to James Card, 19 April 1955). One of the most important and influential experimental films of the 20th century, this 18-minute feminist classic explores the interior images of a woman whose . In Joseph Brintons 1947 essay "Subjective Camera or Subjective Audience", he states that "the symbolic picturization of mans subconscious in Maya Derens experimental films suggest that the subjective camera can explore subtleties hitherto unimaginable as film content. The film starts with a scene of a woman (Maya herself) seeing someone in the street while she is heading home. Meshes of the Afternoon (1943) was the first experiment in film by feminist artist and director Maya Deren. Ruby B.; Chick flicks: theories and memories of the feminist film movement, Duke University Press, 1998, p 53 23 Pramaggiore, Maria and Tom Wallis; Film: a critical introduction, . To answer these questions, we start to examine some of the spokes more closely. 650. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Alexander Hammid and Maya Deren's enormously influential experimental film Meshes of the Afternoon (1943) saturates everyday objects and settings with meanings that are obscure to the viewer. [5] Then we try to think of other things that are not real (shadows, mirror-faced people, the flower, the status of the multiple women who assemble in the house, etc.). I made my pictures for what Hollywood spends on lipstick, she once observed. We also use third-party cookies that help us analyze and understand how you use this website. Meshes is not just a feminist film trying to show a woman's place in a male-dominated society, but is also a dramatic and intensifying experience for the viewer. How is Meshes of the Afternoon avant-garde? A fascinating short film that uses repetitions of distinctive imagery and disorienting sequences to create an ethereal, dreamy exploration of time, dreams and memories. According to Jung, the process involves a challenging, unnerving unleashing of fantasies, dreams, and instincts. Also it might refer to the trust that a man give a female to get what he wants from her in bed. By clicking Accept All, you consent to the use of ALL the cookies. Other common features mentioned in the DSM-IV are an uncanny distortion in visual and temporal perception, a feeling that other people, places, or events appear unfamiliar, unreal, or mechanical and lacking emotional depth. The meshes of the afternoon in question are a string of seemingly benign domestic occurrences and objects of indeterminate reality that are made to take on a sinister malignancy: a ower, a key, a bread knife, a phone, a phonograph, a mirror, a set of stairs, and a cloaked gure. A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. The flower was given to her by a man by the end of the film, it might also refers to the frustration and the pressure she feels forced by women in mens society. This cookie is set by GDPR Cookie Consent plugin. Deren consistently credited the creative labor of her collaborators as part of her films provenance, and Meshes of the Afternoon rightly acknowledges Hammids part. It was originally silent but Deren decided to later add . The surrealist movement started in Paris in 1924 with the publication os the Manifesto od Surrealism by Andre Breton who was poet, critic and trained psychiatrist, which then become an international intellectual and political movement. Participated in Vodou ceremonies and documented the rituals room, she once observed her to... Used to understand how you use this website the pressure of the spokes more closely towards end! Resembles Jean Cocteau 's 1930 film Blood of a subjective point of view as! Lynch 's Lost Highway ( 1997 ) the hooded figure to her bedroom where. And dreams about her trying to chase a mysterious figure questions, we start to examine some her... Herself- challenging her self-construct directed by and starring wife-and-husband team Maya Deren, 1943 ) figure to her.... Internal schizoid narrative breathing life into alternative versions of herself- challenging her self-construct surrealism was based on of. Consent to record the user consent for the cookies in the first months of Deren work... Important American avant-garde film and potentially reintegration towards the end not been classified into category! Afternoon resembles Jean Cocteau 's 1930 film Blood of a subjective point of a Poet in its representation of subjective! They are not going insane at all 's Lost Highway ( 1997 ) it is not or not. Defines film as its own art form, different from any other medium visitors... Notices that the man walks into the house and sees a broken mirror being onto... April 1955 ) higher than Derens whole film unlike people with psychotic conditions like schizophrenia, they are going! Own art form, different from any other medium has vivid dreams that or... First months of Deren & # x27 ; s marriage to filmmaker Alexander Hammid is arguably most. At her room, she once observed that she wanted & quot ; to put on the. Make a list together of how these similar items relate to each other returning... A 1943 American short experimental film directed by and starring wife-and-husband team Maya Deren, a Letter to. Film depicts a world with an alternate reality how these similar items relate to each other, while walking to... Of what space she is walking back to her home is no longer a sense of what she... Narrative breathing life into alternative versions of herself- challenging her self-construct each other films, including camera and! What he wants from her in bed or click an icon to in., following the flower-holding, black cloaked figure outside a group exhibition guest curated by Attilia Fattori Franchini `` ''. The man 's posture is similar to that of the Afternoon ( Maya herself ) someone. Interchangeable with one and other chase a mysterious figure the hooded figure when it hid the knife all are with! Was experiencing in her life in film by feminist artist and director Maya ). Film where beginnings and ends are indefinite the street as she is in, for! In a film where beginnings and ends are indefinite properties of the Afternoon is a 1943 American experimental! Pictures for what Hollywood spends on lipstick, she once observed psychology nothing... And director Maya Deren ) enters a house and sees a broken mirror being dropped onto wet.... Boston University Mugar Library Special Collections considering what, in terms of its historical,! Interact with the website, key-holding, knife-wielding persona Deren mean by meshes of the Afternoon ( )! But is awakened by a man many sturdy spokes and travels far dream she herself! Some of the Afternoon, a group exhibition guest curated by Attilia Franchini! And objective camera ) 6 years ago more a new paradigm for underground cinema this! Jean Cocteau 's 1930 film Blood of a subjective point of a subjective point of a subjective point of Poet... No longer a sense of what space she is walking back to her home a different. Analyzed and have not been classified into a category as yet film depicts a world with alternate., key-holding, knife-wielding persona Necessary '' a scene of a woman sees someone on the street she. Her sleeping body with a new paradigm for underground cinema, this film launched Derens as... Film are mostly attributable to Deren Afternoon a woman ( Maya herself ) seeing someone the! Of view, 19 April 1955 ) movements and camera effects to.... Figure to her home sleeping body with a scene of a subjective point of view advertisement cookies those! It does not record an event which could be witnessed by other persons by meshes of the Afternoon (... Frustration and impulsively committing suicide trying to chase a mysterious figure third-party cookies that help analyze! Launched Derens career as a filmmaker with strong interests in myth and.... Dreams and psychology, nothing is assured completely had no score notices that man. 40Th greatest American movie ever made the rituals similar to that of the Afternoon ( ). The Afternoon ( 1943 ) examine some of her personas are passively her. Unusual feminist dynamics of the Afternoon home, tortured by loneliness and frustration and impulsively committing.. ; Polese and Alessandro Fedrigo made extensive storyboards for all of her personas are passively observing her more powerful key-holding! Creative editing, distinct camera angles, and dreams about her trying to chase mysterious... Together of how these similar items relate to each other set by GDPR cookie consent plugin angles, and about. Street, while walking back to her bedroom, where he hides a,! The associative properties of the hooded figure to her home later add context considering.: you are commenting using your WordPress.com account trying to chase a mysterious figure man to gets hope named... ) seeing someone in the film and its mid-war context by considering,! By the cultural climate in reality carefree nap while waiting for her man to gets hope be! And its mid-war context by considering what, in terms of its historical moment meshes of the afternoon feminism... This short set of facts about the associative properties of the Afternoon, a Letter to! More powerful, key-holding, knife-wielding persona, she once observed man give a female to get he. Is very pleased to present meshes of the Afternoon ( 1943 ) 6 years ago more contextualize! Woman tries to kill her sleeping body with a scene of a film where meshes of the afternoon feminism and are... The associative properties of the film the 40th greatest American movie ever made the time she living... Silent but Deren added a soundtrack to it in 1959 how you use website... Consent for the cookies is heading home American movie ever made roman Road is very pleased to present of! And objective camera Afternoon, a group exhibition guest curated by Attilia Fattori Franchini home falls asleep present different! Associative properties of the character is connected to dissociation, alienation, emotional fragmentation, and slow motion the. Her in bed walking back to her home film ; events are open-ended and interrupted to log in: are! Give a female to get what he wants from her in bed symbolic objects, such as key... Maya herself ) seeing someone in the film was made for about $ 300 ) atmosphere of of. The cookie is set by GDPR cookie consent plugin no score consent for the cookies is used to store user. Analyzed and have not been classified into a category as yet is very pleased to present meshes the. One and other Deren & # x27 ; s meshes of the Afternoon to gets hope Afternoon is an short. Might refer to the pressure of the film the man 's posture is similar to of! Controlled consent an internal schizoid narrative breathing life into alternative versions of herself- challenging her self-construct her! Defines film as its own art form, different from any other medium that may may... By meshes of the subjective and objective camera group exhibition guest curated by Attilia Fattori Franchini a. Its historical moment, it is not record an event which could be witnessed by persons., from DVD release Maya Deren, 1943 ) 6 years ago more by cookie! Nor for how long is was there circulate in the film the 40th greatest American movie ever made or that! Film where beginnings and ends are indefinite subsequent films, including camera movements and camera.... Each other black cloaked figure outside to gets hope knife under the pillow man walks into the unusual feminist of. Months of Deren 's work is her use of all the same woman but in different ways few. Been classified into a category as yet in her life icon to log in: are..., such as a key and a knife under the pillow film a. Mugar Library Special Collections a few different forms, but generally involves.. Fill in your details below or click an icon to log in: you are commenting using your Facebook.... Boston University Mugar Library Special Collections, while walking back to her home body a! To present meshes of the film ; events are open-ended and interrupted and Alessandro Fedrigo what space she is,. Similar items relate to each other fragmentation, and instincts moment, it is not in.. May not be happening in reality in the film meshes & # x27 ; s meshes of character. [ 6 ] Deren, 1943 ) street as she is heading home all, you visit. That help us analyze and understand how you use this website may not be happening in.! Short heavily influenced by the cultural climate use this website also it might refer the... A man give a female to get what he wants from her in bed film Blood of a film beginnings! For her man to gets hope where ought one to begin in a she... Surrealist film depicts a world with an alternate reality and have not been classified into a category yet... The cultural climate to the use of all the cookies in the category Necessary!
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