This page was last edited on 24 February 2023, at 08:03. It remains what is likely Evans' most well-known song,[citation needed] one that he would play throughout his career. He remembered that Scotty was dressed up for the Newport appearance. Then wed go home and have dinner and ice cream. When did your brother start getting interested in music? According to Paul Motian, the death of LaFaro left Bill Evans "numb with grief", "in a state of shock", and "like a ghost". The action you just performed triggered the security solution. He says they formed an immediate friendship, and that musically, Id never felt such an instant connection. The CD reissue of the album contains several outtakes. Then wed go home and have dinner and ice cream. The texture, however, is the back of the handthats the form of caress, rather than the rough-skinned palm. In 2009 she published a biography about him, Jade Visions: The Life and Music of Scott LaFaro. Jim Hall. Nearly six decades later, Helene LaFaro-Fernandez continues to keep her older brothers flame alive. He replaced Charlie Haden as Ornette Coleman's bassist in January 1961. They needed a bass clarinetist, and he promised Scotty that he would be allowed to play clarinet and eventually the tenor sax if he took that position. Nearly six decades later, Helene LaFaro-Fernandez continues to keep her older brothers flame alive. ", https://www.youtube.com/watch?v=IIzbINNrqcQ. Q: So if you were all living in California, how was it that your brother was near Geneva when he died? He died near Geneva in an auto accident in 1961. Q: When did your brother start getting interested in music? Scott LaFaro was born 64 years ago . With my mom and Scotty and my two sisters and then our own kids, we eventually had to build onto the house. Later we moved to Elmwood Place, and during the summer we would spend many of our days at the Brook Street Playground. Also included is "Porgy", originally omitted for lack of space.[]" A professor encouraged him to audition for an open spot in the Buddy Morrow Orchestra. In high school Scotty played clarinet and tenor saxophone, in spite of not being happy about a lip injury he got playing basketball at the Y. LaFaro-Fernandez: Dad (Joe LaFaro) never forced us to play music. At that years Monterey Jazz Festival, LaFaro performed with both the Coleman Quartet and Gunther Schuller. He used a Zen epigram in the closing of his letter to Gloria: Im trying to remember a bit of Zen I like so well: If you seek the fruits ofgood actionso shall they escape you. I try to smile everyday with that., https://www.youtube.com/watch?v=uugimR8honE, When I asked Kuhn if Scotty had similar anxieties about touring with Getz, he said no, but he recalled a bandstand incident between the bassist and the tenor player whom Kuhn called extraordinarily paranoid. One night at the Blackhawk in San Francisco, he said, they clashed. Hes just so damn elegant. The car, tree and garage all caught fire. She had lost her husband, then four years later lost her son, and she still had young kids to raise. Put one way: Scott LaFaro was up for it. In a December 29, 1960 letter addressed to his lover Gloria Gabriel, the dancer to whom he dedicated Glorias Step, he wrote, One important thing is that I realize day by day the true artist and musician is becoming more and more meaningless in terms of public comprehension. Though hed previously appeared onGolden Trombonewith Buddy Morrow,The Arrival of Victor Feldmanwas essentially the first LP that showcased his singular gifts. He was visiting some friends west of Geneva and was driving home late when he crashed. Shortly after, he acquired a bass made in 1825 in Concord, New Hampshire by Abraham Prescott. Sometimes its defined by contrasting stylistic paths that amalgamate into a career, as with Miles Davis. HOMETOWN Newark, NJ, United States of America BORN April 3, 1936 Similar Artists Paul Motian. comments . I was also told by classical bass players that this also changed things for them because as was with all music pretty much up until then, the bass was considered more of a rhythm instrument only. It was released in 1962. https://www.youtube.com/watch?v=PNqSL3xGW70, The Evans Trios appearance at the Village Vanguard opposite Lambert, Hendricks & Ross in June 1961 culminated with the legendary recordings made on the last day of the two-week engagement, Sunday, June 25. Tales are told of how much John Coltrane practiced, but you could say the same about the bassist from Newark. Stan was playing a melody, and Scott began doubling it. My mom was still pregnant with my last sister. This album is widely considered to be one of the best in the Evans canon, and the type of emotive interplay between the musicians that at some points seemed almost deconstructed has served as a model for piano trio play. It will be observed on his birthday anniversary, April 3. Does anyone have pictures of this bass, or have you seen it in person? Musician. ai! Nov 13, 2008 #2 Mark Carlsen Oct 4, 2004 Dave Green joins Alyn Shipton to pick the essential recordings of fellow bassist Scott LaFaro's brief but brilliant career, including work with Bill Evans. ", https://www.youtube.com/watch?v=r-Z8KuwI7Gc, Jade Visionscredits the demo session that LaFaro made with Steve Kuhn and Pete LaRoca nearly a year later as one where this conversational approach to group dynamics was evident. Jazz. Scotty and I rented a house for Mom and the girls, I got married a few months later and (soon) we all moved into a new house in a new development in West Hills. Christian said, Scottys playing was the bible for bass playersJimmy Blanton the old testament, Scotty the new., LaFaro spent the evening of July 5 with old friends in Geneva then drove 80 miles west with Frank Ottley to visit another friend in Warsaw who was house-sitting at a place with a good stereo. Composers. My dad took Scotty to see anyone who came there, or to Syracuse or Rochester. He was playing mandolin and violin publicly by age 7. Sound-carver. Perhaps one thinks of the contrast, as I do: the balmy New England coast, sailboats alongside the bandstand, and then the hard, unforgiving asphalt of the interstate. They needed a bass clarinetist, and he promised Scotty that he would be allowed to play clarinet and eventually the tenor sax if he took that position. Q: What kind of influence did your father have on your brothers music? ~ Charles A. Ralston, A Site About Dead Musicians and how they got that way. Everything. LaFaro is one of those players who register to the ears like more than one man, generating a huge amount of sound with ostensibly little effort, and that sound resonating as direct, controlled, economical; this is part of the reason why. Its no knock on Charlie Hadena formidable pioneer himselfto say that if hes a bass player, LaFaro is something else, to use the Coleman argot. Tracks. Scott LaFaro - Artist Details. He wanted the conversation back and forth between each of the players, and he wanted to play melody. Lafaro's innovative bass playing, which combined virtuoso technique with a counter-melodic conception, was captured in all its glory at the Vanguard on June 25, 1961. He would have played twenty-four hours a day if he couldHe was learning a mile a minute., Morrows outfit had a big hit with Night Train. The bandleader told Helene, We were a band which was dedicated at the time to mainly rhythm and blues. We were like brothers., Six months before the session with Kuhn, LaFaro recorded with trumpeter Booker Little on April 13 and 15. May 23, 2021. On date night, people would end up at The Smith. LaFaro died in an automobile accident on July 6, 1961 in Flint, New York on U.S. Route 20 between Geneva and Canandaigua, four days after accompanying Stan Getz at the Newport Jazz Festival. It has rolled corners on the bottom and very sloped shoulders on the top, making it easier to get in and out of thumb position. Everyone would say Dont go to the creek! but we did anyway, and would come home with red shoes. One of the most substantial biographies I've read in recent years is the 2009 publication that Helene LaFaro-Fernandez devoted to her brother Scott. He was a tremendous talent [who] wanted to go on to greener pastures.Over the next two years, Scotty toured the country with Chet Baker, and worked around L.A. with Hampton Hawes, Harold Land, Buddy DeFranco, Richie Kamuca, Joe Gordon, and Stan Kenton. Man, woman decapitated after car slams into big rig on 5 Freeway in San Fernando Valley. Composer: Porter The great bassist is best known for his work with the Bill Evans Trio between 1959 and '61, and for the tragic car accident that claimed his life on July 6, 1961, two weeks after the trio's . Performers: Bill Evans, p; Scott LaFaro, b; Paul Motian, d. 28 Dec 1958. Composer: Urso Helene makes no secret of LaFaros exacting standards and competitive personality, and she quotes many who testify to the same. Shortly after, their collaboration began. In 1959, after working with trumpeter Chet Baker, bandleader Stan Kenton, vibraphonist Cal Tjader,[6] and clarinetist Benny Goodman, LaFaro returned east and joined Bill Evans, who had recently left the Miles Davis Sextet. He played in a trio or quartet at Belhurst from the time he got back until he died. For much of 1958, LaFaro was with pianist/vibraphonist Victor Feldman's band. Evans, according to Motian, would play "I Loves You Porgy," a song with which he and LaFaro became synonymous, almost obsessively, but always as a solo piece. John Tynan wrote inDownbeatthat the rhythm duo [LaFaro and Billy Higgins] were the baddest cats on the date. We are in a fix! Today would be the 78th birthday of the great Scott LaFaro, who died in a car accident in 1961. July 6, 1961 in Seneca, NY. I never knew how Scotty felt about my playing until Paul told me later that the first time Paul heard me it was because Scotty had dragged him out in a snowstorm, "You've got to hear this great bass player with Ornette!"[18]. Performers: Ornette Coleman, as; Don Cherry, c; Scott Lafaro, b; Ed Blackwell, d. New York City, 31 Jan 1961. Cool Modal Music Post-Bop. His sense of time was freer, less tied to the ground beat, than any jazz bassist had previously acheivedIt is not going too far to see this short-lived trio as redefining the nature of the jazz rhythm section. It was written with so much love and insight. [7], In June 1961, the Bill Evans trio began two weeks of performances at the Village Vanguard in New York City. He lives in Boston and has contributed toJazzTimessince 2006. Friedman first heard LaFaro with Buddy Morrow, and then they worked together with Chet Baker. Sign in to continue reading, Sixty years after the bass greats untimely death, a look at his musical legacy beyond the Bill Evans Trio. Your IP: Tracks such as "Solar" (RealAudio excerpt), from the Village Vanguard sessions, highlight his ability to play high notes with surprising speed. It was then he fell in love with the tenor saxophone. Evans, LaFaro, and Motian were committed to the idea of three equal voices in the trio, working together for a singular musical idea and often without any musician explicitly keeping time. Scott was extremely picky and choosy, and he wanted to call the trio. Evans also went on hiatus after LaFaro's death for a period of several months. 52.119.1.55 I quit very fast, but he was a natural. When we were in junior high school, Godfrey Brown, the head of the high school music department, would come there to recruit for positions they needed to fill in the band and orchestra. 1926). After Scotty joined the Buddy Morrow Orchestra, he traveled with them all over the country until they reached California, as he really wanted to be where the West Coast jazz scene was happening. LaFaro-Fernandez: When Scotty was in sixth grade we took our first piano lessons. Having followed him out to Los Angeles in the late 1950s along with the rest of the LaFaro family, LaFaro-Fernandez still lives in California and continues to answer daily inquiries about her brother, conduct interviews, and ensure his legacy will inform musicians and fans for generations to come. My dad loved the director, so we had to go and have that experience as well. The tendency is to associate him with classical predilections, but here he is at one of the zeitgeist-shaking avant-garde sessions, and boy, does he drive the sound. After three months at Ithaca College, he concentrated on bass. What were Scotts childhood and teen years like here in Geneva? Bassist Scott LaFaro would die in a car accident just ten days after this album's recording, at the age of 25. Tom holds a BA from the University of Massachusetts, Amherst, where he majored in English and African American Studies. That huge sound and strength of attack is finger-sprung alone. Gleason commented, It is, however, as a vehicle for bassist Scott LaFaro that the LP really impresses. Later in the year, he toured and recorded with the Cal Tjader-Stan Getz Sextet. Scotty sort of led the way on the bass becoming a solo instrument in its own right. Rocco Scott LaFaro (April 3, 1936 July 6, 1961)[1] was an American jazz double bassist known for his work with the Bill Evans Trio. The 25-year-old Scott LaFaro's death in a car accident shortly after was a major shock to the jazz world." Scott Yanow. I was 19 and working. Brooklyn, NY The other day at school someone mentioned Red Mitchell taking the bass which was in the car crash that killed Scott LaFaro back to Kolstein's in pieces, and Kolstein, fairly recently, restored it. https://www.youtube.com/watch?v=faSD3g1ndHE, LaFaro began working regularly with Ornette after Evans became ill with hepatitis in July 1960 and went to Florida to recuperate at his parents home amid rumors that hed died. Victor Feldman. It was an idyllic childhood. In fact, the tune Glorias Step, was an outgrowth of his interest in those chords. He also recalls getting the call from Scotty to spell the ailing Evans for a couple of nights at the Jazz Gallery. Freidman, LaRoca, and LaFaro recorded a demo session in 61 thats now available in a companion CD to the biography,Pieces of Jade. The BMW then struck a fourth car which was traveling south on Corbin Avenue. It wasnt until he left for Ithaca College, where music majors were required to play a stringed instrument, that he first played bass. Q: Your family ended up following Scotty out to California. Performers: Bill Evans, p; Scott LaFaro, b; Paul Motian, d. 7 May 1960. The bass was badly damaged in the automobile accident that killed him, but was eventually restored and is sporadically used in performance to honor LaFaro. Three of the tunes from their setBaubles, Bangles and Beads; Where Do You Go; and Airegin were released on CD in 1994. He stuck with his new hire, offered Scotty the option of plane fare to New York or L.A., and showed him the door. Evanss illness resulted in the cancellation of a long engagement opposite Thelonious Monk at the Jazz Gallery. Scott LaFaro. You know how some people (and you may be one of them) like to go on YouTube and listen to isolated Beach Boys backing vocals and John Bonham drum parts? Also in 2009, the University of North Texas Press published Jade Visions, a biography of LaFaro by his sister Helene LaFaro-Fernandez, with an extensive discography. At age 12 he was recommended for the Ithaca Conservatory of Music, where he was classically trained in violin. Born in Newark, New Jersey, United States,[1] the son of a big band musician, LaFaro was five when his family moved to Geneva, New York. His death came just ten days after recording two live albums with the Bill Evans Trio, Sunday at the Village Vanguard and Waltz . On this Wikipedia the language links are at the top of the page across from the article title. Such is the legacy of bassist Scott LaFaro, though I would suggest that what was was more than we often think. Bill Evans. (, This page was last edited on 15 February 2023, at 23:36. I was 19 and working. But we LaFaros have staying quality, and my husband and I just celebrated our 60th year in this house. Find him on the web at colinfleminglit.com (where he maintains the unique online journal, the Many Moments Moreblog) and on Twitter @colinfleminglit. When Scotty was in sixth grade we took our first piano lessons. Despite his short career, he remains one of the most influential jazz bassists, and was ranked number 16 on Bass Player magazine's top 100 bass players of all time.[2]. Scotty and I were born in New Jersey but we moved back to Geneva in 1942. Performers: Bill Evans, p; Scott LaFaro, b; Paul Motian, d. Village Vanguard, 25 June 1961. [citation needed], By late 1960, LaFaro was in demand as a bassist. Composer: Porter: The Getz Quartet, with either Henry Grimes or Jimmy Garrison spelling LaFaro (Kuhn cant recall for certain), was playing that week at Saranac Lake in the Adirondacks. Around this time he received a greeting card from Miles Davis suggesting that Davis wanted to hire him. Scotty was on the road at the time, in California. Let us be grateful that he didnt rest easy during what would prove to be the last Christmas season of his life, for in December 1960, he was called in for a couple of dates that we must look to every bit as much as the June 1961 Village Vanguard recordings to fully appreciate him. That is what so many families Sunday ritual were like. Each year during the first week of April, The Smith hosts the Scott LaFaro Day Celebration concert that features a contemporary bass player. In 2007, 46 years later, Roy introduced Helene to the great bassist Christian McBride. Elsewhere, a legacy is a reflection on what might have been, based on a limited amount of what was. Jade Visions: The Life and Music of Scott LaFarorecounts how three days after his appearance at the Newport Jazz Festival with the Stan Getz Quartet, hed driven to Geneva, NY to take care of some business related to his mothers home there. 4 or The Paradox of Continuity, The Montreal Tapes: with Geri Allen and Paul Motian, https://en.wikipedia.org/w/index.php?title=Waltz_for_Debby_(1962_album)&oldid=1139601889, Short description is different from Wikidata, Album articles lacking alt text for covers, Articles with unsourced statements from January 2021, Articles with MusicBrainz release group identifiers, Creative Commons Attribution-ShareAlike License 3.0, Note on the alternate takes: "For this CD release, alternate versions of three of the six selections have been inserted just after the ones originally chosen for issuance.[] DSD 128 fs (2) DSD 64 fs (2) . Dad (Joe LaFaro) never forced us to play music. Our Dad was from here. Also, the exertion of a formidable musical will to take what was there, in an act of guidance. Little, another ill-fated star of the period who died at 23 in October 1961, described LaFaro in the liner notes as distant, but closea paradox that resolves only for those who were simpatico. He also recognized Scottys distinctiveness as an innovator who was much more of a conversationalist behind you than any other bassist I know[Hes] technicallyabout the greatest bassist we have. Remarking on the solo LaFaro plays on Bee Tees Minor Plea, the trumpeter said, The bass is a crude and rude instrument, but Scott makes it into something else. Helene says Scotty would have loved being described as something else, since I could remember how excited [he] was when he brought around to play for me the first record of Ornettes he owned,Something Else.. The album included five tracks recorded in New York City during 1961 with pianist Don Friedman and drummer Pete LaRoca.[13]. Killed in a car accident aged just 25, Scott LaFaro was widely regarded as the most technically gifted bassist of the 20th Century. You can read our interview with Holland. Rocco Scott LaFaro, in a career that lasted only six years, developed skills on the upright bass that few have been able to match. A driver was killed when a car crashed into a home in the Hancock Park . Our Dad was from here. Smith Opera House is owned and operated by the Smith Center for the Arts, a private not-for-profit 501(c)(3) corporation. Its there for a reason, and thats not solely to complement the proof of the magic that occurred at a New York City club in late June 1961. AMAGANSETT, N.Y. - Acclaimed tenor saxophonist Robert Berg was killed Thursday when a cement truck skidded across a snow-slicked road and rammed into his sport utility vehicle, East Hampton police said. He became a professional musician in New York City during the Roaring 20s. 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